Is Adobe Camera Raw Free

Working With Photographic camera Raw In Adobe Bridge vs Photoshop

As nosotros've learned so far in previous tutorials, Adobe Camera Raw is a free plug-in for Photoshop designed to make processing and developing images as simple and intuitive as possible. Merely did you lot know that Camera Raw also runs in Adobe Span? In fact, depending on how you've been opening your photos in Camera Raw, you may have been running it in Bridge without even knowing it!

It may seem like a trivial thing. I hateful, who cares if Camera Raw is open in Bridge or Photoshop as long as it'due south open up, correct? If it looks the same in Photoshop and Bridge (it does), and it does still things in either plan (it does), then what's the divergence? Well, Adobe gave Photographic camera Raw the ability to run inside Span for a reason, and information technology's because there are sure advantages to it. In this tutorial, we'll learn what those advantages are, and how to open Camera Raw and then that it's running in Bridge rather than Photoshop, including a look at an important option in the Span Preferences.

The Adobe Span Advantages

Earlier we expect at how to cull between working with Camera Raw in Bridge or Photoshop, let's first discuss the advantages that running it in Bridge offers, and there'south really two main advantages to talk about. I tin can ameliorate the speed of your computer, while the other can speed upwardly your workflow. Photoshop, like all programs, uses upward some of your computer's resource while it'due south open up. Even if yous're not working in Photoshop at the fourth dimension, as long as it's open up in the background, it's still using up resources. If you're working on a slower calculator to begin with, having programs open up in the background that you lot're non using can slow you down even more.

Camera Raw offers such a consummate image editing environment that it's entirely possible to do everything you need to do with your photo in Camera Raw without ever needing to open it in Photoshop for further editing. That's why Adobe gave us the ability not only to select our images in Bridge but also to open up and procedure them in Camera Raw without leaving Bridge, and without needing to open up Photoshop. In other words, Camera Raw is perfectly capable of running in Bridge itself, or some other way to put it, Photographic camera Raw tin can exist "hosted" by Span, only similar information technology can be hosted by Photoshop. Information technology doesn't need Photoshop running in the background, and that means Photoshop won't be hogging any of your computer'southward resources for no reason.

Another benefit to running Photographic camera Raw from Bridge, and i that has an impact on your workflow, is that when you're finished processing one paradigm in Photographic camera Raw and click the Done button to close out of it, you're instantly returned to Bridge, set to select and open the next paradigm. If you're running Camera Raw in Photoshop, notwithstanding, and click Washed to close out of it, yous're stuck in Photoshop, with no image on your screen and naught to do. At that point, you'd need to manually switch back to Bridge earlier you tin can select another image, and that just slows you downwardly. So, not only does our computer benefit from keeping Photoshop airtight when it's non needed, but our workflow also becomes a chip faster and more than efficient.

Running Photographic camera Raw In Adobe Bridge

Now that we've discussed the advantages, let'south wait at a couple of ways to open and work with Camera Raw directly from within Adobe Bridge, without using Photoshop. Here, I have Bridge open on my screen and I've navigated to a folder on my desktop containing a few images that were captured in my camera's raw file format. At the moment, I do not have Photoshop open, just Bridge. I'll select one of the images by clicking on its thumbnail. Annotation that I'm single-clicking, not double-clicking, on the thumbnail. We only need to click one time to select a epitome (nosotros'll look at what happens when we double-click in a moment):

Clicking on an image to select information technology in Adobe Bridge.

Once we've selected an image, there'due south a couple of ways to open up information technology in Photographic camera Raw so that Photographic camera Raw volition exist hosted past Bridge (without opening Photoshop). One manner is to click on the Open up in Camera Raw icon at the top of the Bridge interface:

Clicking the Open in Photographic camera Raw icon.

Some other way is to become up to the File card in the Menu Bar along the top of the screen and choose Open in Camera Raw:

Going to File > Open in Camera Raw.

Either way opens the Camera Raw dialog box so we can begin processing the image. Notice, though, that we tin can withal meet Adobe Bridge in the background (I've moved the Photographic camera Raw dialog box out of the style a little scrap to brand Bridge easier to see). This tells us that Camera Raw is being hosted by Bridge. Photoshop remains closed as it should because there's no need to have it open. Information technology would but exist using figurer resource for no reason:

Adobe Span is still open and visible behind the Camera Raw dialog box.

So, let's say I've done all of my image processing in Camera Raw, I'yard happy with the results, and I accept no further demand to open the image in Photoshop. In that example, I'll click the Done button in the lower right corner of the Photographic camera Raw dialog box to take my settings and close out of it:

Clicking the Done button to shut out of Camera Raw.

And now, since Camera Raw was running in Span, as soon as I close out of the Camera Raw dialog box, I'm right dorsum where I started in Span and so I tin quickly select my side by side image:

Closing the Camera Raw dialog box instantly returned me to Bridge.

Running Camera Raw In Photoshop

Allow'due south compare that with what happens if Camera Raw is being hosted past Photoshop. Once again, at that place'due south a couple of means to launch Camera Raw from Bridge and then that it will exist hosted past Photoshop. First, click once on an image in Bridge to select it. Then get upward to the File bill of fare at the superlative of the screen and choose Open:

Going to File > Open.

Remember, File > Open up in Camera Raw will host Camera Raw in Bridge, while File > Open up volition host it in Photoshop (equally disruptive as that may seem). Or, a faster and more common way of hosting Camera Raw in Photoshop is but by double-clicking on the image y'all want to open. This selects it and opens it in Camera Raw at the same time:

Double-clicking on the image to both select and open up information technology.

Whether you go to File > Open or merely double-click on the image thumbnail, the image opens in Camera Raw as it did before, simply this time, Photographic camera Raw is hosted by Photoshop, not Bridge. Photoshop itself will automatically open up first, and then the image will open within the Photographic camera Raw dialog box. Information technology may seem similar zip is different. Camera Raw itself looks the same as it did before. Only something is different. If we look closely, nosotros meet Photoshop, not Bridge, in the Groundwork. This is how we know that Camera Raw is existence hosted by Photoshop:

Camera Raw is at present running inside of Photoshop instead of Span.

I'll again click the Done button in the lower right corner of the Photographic camera Raw dialog box to shut out of it, just as I did before:

Clicking again on the Done push button to close out of Camera Raw.

Just this time, look what happened. I'one thousand nonetheless in Photoshop, even though I accept no image open and no item reason to be here. My workflow has hit a chip of a expressionless end:

Endmost Camera Raw left me in Photoshop with cipher to practice.

To get back to Adobe Bridge from here and so I can select another image to work on, I'd need to go up to the File card (in Photoshop) and choose Browse in Span. This will switch me dorsum to Bridge, just obviously, it would have been faster if I had been returned to Bridge automatically, which is what would have happened if I had been running Camera Raw in Span to begin with:

Going to File > Browse in Bridge to return to Bridge from Photoshop.

The Bridge Preferences

Now that we've seen the reward of hosting Camera Raw in Span, wouldn't information technology be great if we could have Camera Raw hosted in Span only by double-clicking on an image? Every bit luck (and Adobe) would have it, at that place is! We've seen that by default, double-clicking on an image in Bridge launches Camera Raw hosted by Photoshop, but there's an option in the Bridge Preferences to change that beliefs.

To open up the Bridge Preferences, on a Windows PC, go upwards to the Edit card (in Bridge) and choose Preferences. On a Mac, become upward to the Adobe Bridge carte and choose Preferences:

Become to Edit > Preferences (Win) or Adobe Bridge > Preferences (Mac).

This opens the Preferences dialog box set up to the General options. In the middle of the dialog box, in the Behavior section, is an pick that says Double-Click Edits Camera Raw Settings in Span. By default, it's disabled. Click within its checkbox to enable it:

Selecting the "Double-Click Edits Camera Raw Settings in Span" option.

Click OK to close out of the Preferences dialog box, and now, every time you double-click on an prototype in Span to open it in Camera Raw, you'll be hosting Camera Raw in Bridge.

And there nosotros take information technology! That'southward a quick tip on the advantages of running Camera Raw in Adobe Span vs Photoshop! Check out our Photo Retouching department for more Photoshop image editing tutorials!

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